Leftovers
An installation that took many different forms over its year-long development. Before being installed in its final iteration as some kind of paper-y tornado, it served as a functioning nest for the artist in her studio. During its time as a nest, Leftovers grew from the inside out, as more pieces were methodically built via a circuitous process of (re)construction/deconstruction. Paper was drawn onto, ripped apart, and mashed back together onto wire frames using flour and water. Each completed sculptural 'drawing' could then be positioned within the series to suit the whims of the artist, and compositions were often rearranged and obsessively organized. No evidence of the process' history was discarded or lost, until it all was at once.
An installation that took many different forms over its year-long development. Before being installed in its final iteration as some kind of paper-y tornado, it served as a functioning nest for the artist in her studio. During its time as a nest, Leftovers grew from the inside out, as more pieces were methodically built via a circuitous process of (re)construction/deconstruction. Paper was drawn onto, ripped apart, and mashed back together onto wire frames using flour and water. Each completed sculptural 'drawing' could then be positioned within the series to suit the whims of the artist, and compositions were often rearranged and obsessively organized. No evidence of the process' history was discarded or lost, until it all was at once.